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#Light compressor for podcasting archive
#Light compressor for podcasting pro
#Light compressor for podcasting software

May receive compensation from your actions through such links. Follow post may contain links to products or services with which I have an affiliate relationship and.Subscribe on YouTube for video reviews, Q&A, and more.Join the Facebook Page and watch live podcasting Q&A on Mondays at 2pm (ET).Subscribe to The Audacity to Podcast on Apple Podcasts or.Ask your questions or share your feedback To help you launch or improve your podcast. Request a consultant here and I'll connect you with someone I trust I no longer offer one-on-one consulting outside of Podcasters' Society, but If you have extra money and want to optimize your workflow and have almost instant turnaround, get a hardware compressor.

#Light compressor for podcasting archive

Always keep and unprocessed archive of your recording.

#Light compressor for podcasting software

If you're just starting out with audio compression, stick with a software compressor so you can learn as you experiment. Different settings depending on content.May require other upgrades, such as getting a mixer with inserts.Process in real-time for fast turnaround.Compressing only what you want (voices, not music).

#Light compressor for podcasting pro

The tools may change (Audacity, Audition, Soundbooth, Pro Logic, etc.).

Compress audio from any source: studio mics, field recordings, or sound clips.

Experiment with the same audio to see and hear changes.

The short answer is that you have to decide for yourself based on the advantages and disadvantages that affect you. Robert from It's Just Us has a Alesis 3630 Compressor Dynamics Processor and Adobe Audition 2.0 and wanted to know whether he should use the hardware or software compressor. Should you use a software or hardware compressor? C3 Multiband Compressor (free, plugin with Audacity edition) or Adobe Audition‘s Multiband Compressor (included plugin with $349 software) Such as my Behringer MDX4600 (currently $120). Chris's Dynamic Compressor (free, standalone and Audacity plugin)-a few simple options, follow his instructions to unlock the advanced options Hardware compressor/limiter/gate ($80 and up, standalone device)-several knobs, some have more options than others. Levelator (free, standalone)-no options Mixer-based compressor knob (built into some mixers)-just a single knob, like on my Behringer Xenyx X1832USB.

Attack and release (hard and soft knee)-How fast to approach and dissolve the compression, “interactive knee” will change the attack and release speed depending on the input volume.

WAV files aren’t compressed, which retains every last intro and sound effect on your podcast episode. When it comes to high-quality audio, WAV wins hands down.

Peak limiter-hard wall to prevent audio from exceeding a volume Most podcast recording software is compatible with WAV files and comes with features to adjust aspects of the raw audio data at your DAW.

Threshold-the point above which audio is compressed.

Gate-Opens and closes to allow or prevent audio.

Expansion-expands the range of low volume, opposition of compression, quiets small audio.

Compression-from the top down, sometimes from the bottom up.